The great Steven Alan Green performs his legendary one-man show at The Marsh Theatre in San Francisco.

A movie waiting to happen.  

This is the moment that changed my life. September 8, 2002, Sunday night at The London Palladium. After a year of preparation and a ton of money sunk into production, a great evening of 15 British and American comedians, it all came down to this. The biggest Scene-Stealer of all time.
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"Steven Alan Green is a cross between Danny DeVito and Sgt. Bilko, which makes him all the more entertaining to watch!" - Kate Copstick, The Edinburgh Fringe

I Eat People Like YOU for Breakfast!

 
has played at The Gilded Balloon in Edinburgh, The New End Theatre in London, The Attic Theatre in Los Angeles, The Santa Monica Playhouse, The Improv Lab in LA, The Marsh in San Franciso, Comedy Central Stage in Hollywood and The Moth in Los Angeles.  A planned revival of the show is underway.  Look out for Breakfast! in your town this year.

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"I Eat People Like YOU for Breakfast!"

"Breakfast!" premiered at The Edinburgh Fringe Festival in Scotland in 2003 at The Gilded Balloon to great reviews.  The true story of how I grew up in a Beverly Hills showbiz family, became a stand-up in the heyday of The Comedy Store, started doing "farewell performances", moving to London and establishing myself finally as a credible "you gotta see this guy" kind of act.  But when I produced a giant comedy gala for British television at the most hallowed theatre in Europe, I needed a star. 

Enter Jerry Lewis, who became my fast friend.  The rough and tumble of dealing with Jerry on a daily basis was enough to make anyone coo-coo cray cray.  But when he pulled the greatest publicity stunt of all time, it made international news and left egg on my face and a million questions in my head.

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London brought me great success.  It was like going through the looking-glass, where everything was backwards. Whereas in Hollywood where I became banished by top comedy clubs for a stage act that was considered dangerous, as well as offstage big social fuck-ups, in London - where virtually no other American comic had recently gone - I was considered "Brilliant!" and worked everywhere.  I even hosted Comedy Central UK.  Everything was completely backwards, including on what side of the road they drive on.  But, I felt, I couldn't just horde this great land of Monty Python and Eddie Izzard alone!  I must share it with my fellow American comedians back home.  I must give back.

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 In August 2,000 I created and produced the first "High On Laughter", a comedy charity show for Turning Point Scotland, a drug and alcohol charity launched by Princess Diana.  It was so successful, we did it again the following year at the 3,300-seat Edinburgh Playhouse, then in 2002 at the legendary London Palladium.  15 British and American comedians and a one Jerry Lewis.  

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Jerry came to London to be honored by me by accepting "The Jerry Lewis Award".  Everything was set in place including television cameras to capture the magic.  After a great evening of great comedy from the likes of Rick Overton, Paul Provenza, Earl Okin, Emo Philips, Bobcat Goldthwait, Zach Galifiniakis, Jim Gaffigan, Shelagh Martin, Boothby Graffoe and me, all hell broke loose.  Suddenly, without warning Jerry Lewis collapsed backstage, just as he was being introduced, creating one of the most talked about dramatic moments ever, literally making international news.  

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As the mystery unraveled, information about Jerry's past began to emerge and I found myself caught in a vortex of bizarre inquisition.  Everybody was asking me the same thing: "Did Jerry Lewis fake his collapse?"   A question I still cannot answer to this day. The following year, I created the one-man show with comedian and poet John Dowie and premiered it at the Fringe to great reviews.  The following year, an Oscar winning producer in Hollywood contacted me and we co-wrote a wonderful screenplay.  And, since Jerry's recent passing, there has been much renewed interest in the subject and show.  

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Deep Affection

The one question nobody could even approach to answering was why and how did Jerry's sudden collapse affect me so much.  As a human being, it was the scariest moment of my life.  As a comedian it struck much deeper.  I had to look very deep into myself to discover the surprising and revealing answer.  The answer to that unanswerable question will surprise you and is the core of what this funny and sentimental show is all about.  You'll laugh, you'll cry.  You'll never forget what some have called "the greatest stand-up story of all time".  

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From my one-man show, "I Eat People Like YOU for Breakfast!" This is when Jerry Lewis goes too far to the man who was only trying to honor him. Jerry Lewis had AGREED to do all press interviews for his appearance at High On Laughter III at The London Palladium.

HIGH ON LAUGHTER III - LIVE COMEDY AT THE LONDON PALLADIUM

THE FIRST HIGH ON LAUGHTER STARRING GEORGE WENDT

Song is Blues in Hoss Flat by the Count Basie Orchestra. This is the same version as the movie, except in STEREO-some remixing for instrument clarity and separation. It is from the 1958 "Chairman of The Board" album, and "The Errand Boy" is from 1961.